A mind pushed beyond its own limits.
A choice that cannot be undone.
For The Killing Gene, I explored the fragile boundary between control and collapse — where morality fractures and the human psyche begins to turn against itself.
The score is built on a slow-burning tension: deep pulses, evolving textures, and a sense of inevitability that quietly tightens with every moment. Rather than guiding the audience, the music draws them inward — into the weight of the decision, into the silence after the act.
This is not just about suspense.
It is about consequence.
The Killing Gene Trailer (2025)
In the silence between stars, a story begins to breathe.
This sci-fi short film by SiChen Wang unfolds like a distant memory—mysterious, vast, and filled with quiet tension. My approach to the score was not to follow the image, but to become part of its world.
Driven by atmosphere and emotion, the music blends futuristic textures with organic depth—shaping a sonic landscape that mirrors isolation, discovery, and the unknown. Each note is placed with intention, allowing space, tension, and release to guide the experience.
This is not just a score.
It’s a world beneath the surface—waiting to be felt.
Echoes of Earth (2024)
This is a Christmas score that moves beyond tradition.
Delicate piano, subtle textures, and rising cinematic layers guide the story through quiet moments of reflection, human warmth, and intimate connection.
Created for an indie film contest, it’s not about spectacle — it’s about what you feel.
A fleeting moment, made timeless through sound.
Doc Morris Christmas Advert 2020 (2024)